Literature

Miziano Victor, "Gor Chahal". Flash Art (International), N 154, October 1990, p. 168.
Viktor Miziano, "Old-Fashioned Passion".Flash Art (International), N 158, May-June 1991, p. 110-113.
Oksana Sarkisian, "Gor Chahal. MAN". Khudozhestvenniy Zhurnal (Art Magazine), 1997, N 17, p.84.
Evgeny Barabanov, "Erotica of technological body". Catalog of exhibition: Gor Chahal, "Love", M., 1997.
Aleksandra Shatskikh, "Gor Chakhal". Artnews, December 1997, p.176.
Vladimir Levashov, "Art of selfalienation. New couplet". Catalog of exhibition: Gor Chahal, "Protest song". M.: Linia Graphic, 1999.
Aleksandr Evangely, "Gor Chahal. Protest song". Khudozhestvenniy Zhurnal (Art Magazine), 2000, N 30/31, p.108.
Irina Kulik, "Gor Chahal. Joy". Khudozhestvenniy Zhurnal (Art Magazine), 2001, N 37/38, p.93.
Eugenia Kikodze, "Life in golden light" Catalog of exhibition: Gor Chahal, "MARIA". M.: LiniaGraphic!, 2003.
Andrea Domesle, "Die Ruckkehr der Aura durch Auflosung und Zerteilung". EIKON, N39-40, 2002, pp. 51-53.
Artists of beginning Century. Moscow Actual Art 2000-2003. WAM, N8-9, 2004, ISSN: 1726-3050, pp. 47-49, Ч-47.
"Gor Chahal". Flash Art (International), v. 38, November - December 2005, p. 69.
Steven Lee Myers, "Moscow Show Pits Art Against Church and State". New York Times, 26 November 2005/Arts.
Irina Basileva, "Subject direction". Khudozhestvenniy Zhurnal (Art Magazine), 2006, N 61/62, pp.35-39.
Sergei Khachaturov, «Gor Chahal. Mount Tabor». Catalogue of exhibition: Gor Chahal, «Bread of Heaven», M., NFG, 2010. Pp. 18-19.
Viktor Miziano, "Gor Chahal's Transcendental buffoonery". Catalogue of exhibition: Gor Chahal, «Bread of Heaven», M., NFG, 2010. Pp. 71-99.
Vera Golovina, "Gor Chahal's Bread of Heaven: a special project of Tretyakov Gallery". The Tretyakov Gallery Magazine, N 4 2010(29), pp. 92-101.
Cornelia Offergelg, "Gor Chahal Installation at Melk Benedictine Abbey". Public Art Lower Austria volume 10, SpringerWienNewYork, 2011, pp. 82-83.
Cornelia Offergeld, "Gor Chahal. Sculpture for the Park at Melk Abbey". Public Art Lower Austria volume 10, SpringerWienNewYork, 2011, pp. 172, 198-199.
Theresa Pasterk, "Gor Chahal: Die hundert Namen Gottes und der Versuch, orthodoxe Bildtradition und Computerkunst zu verbinden". Kunst und Kirche, SpringerWienNewYork, 2012, pp. 53-57.
Johannes Rauchenberger, "Wie inspiriert eigentlich christliche Bildlichkeit die Kunst der Gegenwart?" "Kunst und Religion im Zeitalter des Postsäkularen: Ein kritischer Reader", Majuskel Medienproduktion GmbH, Wetzlar, 2012. ISBN: 978-3-8376-2040-5, pp. 21-42 (38-40).
Johannes Rauchenberger, "Gor Chahal". Johannes Rauchenberger, "No Museum has God. Religion in Art in the Early 21-st Century", Verlag Ferdinand Schoeningh, Paderborn, 2015. ISBN 978-3-506-78241-0, pp. 952–958.
Florkovskaya A., "The Religious Theme and the Searchings of Modern Art". "Art Studiaes Magazine", N 3-4, 2015, pp. 428-451.
Tatjana Petzer, «Synergie: Medienkust». Tatjana Petzer, «Wissen und Glaube. Figurationen des Synergos in der Slavischen Moderne», Wilhelm Fink Verlag, ein Imprint der Brill-Gruppe, 2021. ISBN 978-3-7705-6558-0, pp. 262—265.
Florkovskaya A.K. The Apophatica Project by Gor Chahal. The Religious Theme in the New Media Art in Russia in the 2010s. Hudozhestvennaya kul’tura [Art & Culture Studies], 2024, no. 2, pp. 36–63. https://doi.org/10.51678/2226‐0072‐2024‐2‐36‐63. (In Russian)